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Blood for Blood. Pilar Quinteros at City Salts (April 11, 2025)

The process behind Blood for Blood, the name of the exhibition taking place at City Salts, began last year, shortly after I moved to Basel to study for my Master’s in Art at HGK. At the time, I was living illegally and secretly in the studio of some friends. Even though the building where the studio was located was going to be demolished in just a few months, the women who had their studios there were constantly worried about whether I was living there or not. I would go from feeling hatred to affection from one moment to the next, because they warned me and ask where I lived, while at the same time they were giving me art supplies and finding my poor German funny and complimenting me on it. And between almost never paying the Tram fare and living in this workshop, I began to create (or so I think) a layer of camouflage or invisibility that was very useful in practice, but that made me feel a little uncomfortable and bad emotionally. It made me think about the disguises we use to do what we want and must do, the layers we have above and below. Switzerland, or at least Basel, which is what I know, makes me think about this. So much wonder is hidden in something. Perhaps because where I come from, Chile, generosity is only felt in extreme cases, like when half the country collapses (typically for earthquakes, fires, and tsunamis. The usual), and here they have a Telegram where they give away new bikes and household appliances. Why? How did they achieved that? Experience makes you suspicious. In Chile, if you talk to someone on the street, they’ll think you’re trying to steal from them. And here, the water is drinkable in all the city’s fountains, with a few exceptions. I haven’t taken the risk of doing that yet. The other day I was talking about this with a Swiss friend, and he calmly told me it was because they have the Alps nearby. His story is missing parts, I thought… Because where I come from we have the Andes, and you go drinking water from any fountain, to see how it goes…

This exhibition doesn’t provide answers. It’s motivated by a lot of questions and doubts. What do you have to do to have drinking water in all the fountains in your city? What do you do once you’ve got it? Helping others so they can also have this experience? Thinking about this, I came across this company, Wasser for Wasser (Water for Water), which brings drinking water to African countries, and the name sounded like an exchange. A transaction. An eye for an eye, blood for blood. Because no, nothing is free. NOTHING. Let someone come and tell me otherwise.

The exhibition is composed of a video recording of the performance performed on December 8, 2024, with a group of collaborators and friends, an installation, and a short fictional advertisement inviting everyone to drink the water from the Swiss fountains.

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